Frozen olaf ? Olaf is a major character in Disney’s 2013 animated feature film Frozen and its 2019 sequel. He is a benevolent enchanted snowman created by Elsa. Along with the ability to reassemble his body, Olaf’s most prominent quirk is his love for summer and all things hot.
He’s Olaf and he likes warm hugs. Sprung from Elsa’s magical powers, Olaf is by far the friendliest snowman to walk the mountains above Arendelle. His innocence, outgoing personality, and uncanny ability to disassemble himself at good and not-so-good times lead to some awkward, albeit laughable moments.
He may also have the world’s most impossible dream, but what he doesn’t know won’t melt him—or will it?
In early versions of the movie, Olaf was supposed to be one of the first guards of Elsa’s palace when the concept of Elsa controlling a legion of menacing snowmen was still in the story (notably, the only snowman minion to remain in the film would be Marshmallow).
Chris Buck compared that version of the character to a trial run of someone’s first pancake where the cook throws out the pancake after the cook finds out that it is burnt on the bottom.
In this version of the film, according to Jennifer Lee, Olaf was acerbic and often came off as mean-spirited as his attitude and persona greatly differed from what he would become in the final project.
This led Jennifer Lee to advise the filmmakers to revamp the character entirely once she came onto the project.
To keep him from getting too complex, Chris Buck and Jennifer Lee wanted Olaf to have a childlike innocence. Akin when a child makes a snowman for the first time where the heads are never perfect and the body is disproportionate.
That was the idea for the directors when they were thinking about what kids would think of a snowman.
Olaf had to earn his place in the film. Jennifer Lee says that he could not just be thrown in, that he had to have a purpose, and one of his purposes is that he is the embodiment of the love between Elsa and Anna.
“When Elsa flees Arendelle… she starts playing with the very magic she’s been hiding for so long. The snowman she creates comes from memories of the happy times she shared with Anna when they were young. Olaf represents that pure innocence and childhood joy.”
―Jennifer Lee, Frozen screenwriter
Olaf is an excessively benevolent snowman—optimistic, outgoing, and welcoming to all of whom he meets. The living embodiment of the bond between Anna and Elsa, and the memories of their youth, Olaf retains the childlike whimsy that surrounded the girls during their earliest days together, before their enforced separation.
As such, he is childlike, far from a deep intellectual, innocent, and a hint too naïve for his good at times. Nevertheless, his imbued nature and devotion to the two sisters play an instrumental role in rekindling their broken relationship. The circumstances of his creation also result in the snowman harboring aspects and traits both sisters give off.
Like Elsa, Olaf is selfless, constantly putting his safety at risk for the sake of those he cares about; most notably Anna, to whom he immediately attaches himself, upon their first meeting.
Like the younger sister, Olaf is an extreme optimist, often remaining relatively calm in perilous situations, or giving words of encouragement during the darkest hours.
He has an odd fascination for summer, possibly because young Elsa made him a snowman who loves warm hugs, and according to Olaf, he sometimes fantasizes about what summer would be like for a snowman, completely unaware of the consequences of his ambitious dream, making the poor snowman hapless.
Aside from his dominantly goofy side, Olaf is shown to have some intelligence to him, seen during his time with Anna in the third act. Here, it is he who teaches Anna the true meaning of love, stating it is the act of putting someone else’s needs before your own.
After the climax, when Anna sacrifices herself for Elsa, thus breaking the icy curse, Olaf was the first to realize Anna’s sacrifice was an act of true love (as it did not have to be romantic), and that act is what saved the kingdom.
He is also not as oblivious as he seems, as he was quite skeptical about the trolls at first, when he thought they were mere rocks, even, out of love, urging Anna to run, believing Kristoff was delusional and potentially dangerous.
Olaf is also prone to making considerably sassy remarks in several scenes; the most notable example arguably being his jab at Kristoff, calling the mountain man a “funky-looking donkey” upon their first meeting.
It should be noted that, due to his innocence, Olaf likely makes such remarks without any realization of the slight impudence, meaning he’s merely speaking his mind and giving a genuine thought.
Olaf is a small snowman divided into three balls of snow (five, if one counts his legs), though he can rearrange his appearance at will. Three black rocks modeled as buttons are on his body, one on his midsection and two on his backside.
Underneath his backside are two stubs of snow that serve as his legs or feet for moving around. He has two stick arms and three twigs on his head that resemble small strands of hair. On each arm are four fingers.
His head takes up a third of his body and is oval-shaped with a stretched face. The snow around the top of his mouth is shaped to resemble a bucktooth.
In between his eyes and mouth is a carrot nose. When he was inanimate, his eyes were also made of rock. However, when living, his eyes are realistic with black pupils. He also has eyebrows above them.
Olaf’s body parts are capable of autonomy and can be rearranged or separated from Olaf without any harm happening to him.
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